Stoker(in Hollywood Movies) Stoker (2013) - Download Movie for mobile in best quality 3gp and mp4 format. Also stream Stoker on your mobile, tablets and ipads
Plot: After India's father dies, her Uncle Charlie, who she never knew existed, comes to live with her and her unstable mother. She comes to suspect this mysterious, charming man has ulterior motives and becomes increasingly infatuated with him Runtime: 99 mins Release Date: 28 Feb 2013
'Stoker' is a rare case of an Asian Director's first English language film not being a let down (by nrbarton)
What typically happens when a prestigious Asian Director makes the transition to their first English language film is that the resulting feature is a stylistically watered down, less edgy affair and the worst film of their career. Presumably, Hollywood studios interfere so much they end up robbing them of what people loved in the first place. I can firmly say with utter relief that this is not the case with Chan- wook Park's 'Stoker'.Stylish, artistic, beautiful, controversial and feeling much more like a movie from his native South Korea; Chan-wook Park is bang on form. All <more>
that's changed is the actors are American and speak in the English language, and the location of course. I sincerely hope Hollywood takes note that this is how to do it right! Don't interfere with the artist and corrupt and americanise their vision. However, I have heard there was a 20 minute enforced cut made to the film by an editor for the studio. Here's what the Director has to say about it: "It's just such a different animal from what I've experienced in Korea," he says, "but it's just like how you can't really complain about the weather in the States when you're going over to shoot a film. The Searchlight people had good taste, though. There were some differences of opinion, but at least they didn't make any nonsensical remarks." Chan-wook Park is responsible for such acclaimed movies as 'Oldboy', 'Lady Vengeance' and 'Thirst'. Until now at least, 'Oldboy' was his most famous movie, and an American remake nobody wants is due for release soon. 'Stoker' is admittedly less violent and more subtle than those movies, but only because frequent action isn't suitable for this particular script. It's primarily a character study focusing on the loss of innocence, and I'm sure some less contemplative people hoping for frequent action will be disappointed. When it comes to style and controversy though, this movie delivers and was everything I'd hoped it would be. It's stunning to look at and almost every shot is symbolic. More often than not it's sexual symbolism regarding loss of innocence, and the same goes for the frequent symbolism in the dialogue. Furthermore, there's a wonderful Hitchcock feel to it and clearly pays homage to 'Shadow Of A doubt' with a character called Uncle Charlie.The writer is Wentworth Miller, an actor, and this being his first screenplay makes it all the more impressive. Erin Cressida Wilson Secretary, Chloe is credited as contributing writer. Based on the quality of this movie, Wentworth Miller needs to get writing some more screenplays.I also felt the subject matter was a perfect match for Director Chan-wook Park, who's no stranger to controversial themes. It's a really rather pervy film, even if done subtly, artistically, and almost entirely non-explicitly. However, there's one particular scene I found gloriously wrong and solidified my opinion that the filmmakers had at least been respected and the goal of the studio wasn't to tame and americanise the Director. However, it will be interesting if a Director's cut comes out, or at least deleted scenes to see what cuts were made and if they were a good move making it less baggy or toning it down. The important thing as of now is that the result is a great movie. Movie critic Chris Tookey, for The Daily Mail, was disgusted by the film, so it can't be that toned down. A one star review from this man almost guarantees greatness.The title and characters' surname 'Stoker' has obvious vampiric connotations, so some will be wondering if it's a vampire movie. Well it is and it isn't There are no fangs or capes or turning into bats, but the name 'Stoker' is certainly no coincidence. Vampire mythology, literature and movies are loaded with symbolism of the sexual predator seducing the innocent. Furthermore, one of the definitions of the word 'vampire' is non-literal, simply meaning a person who preys on others. Vampires are also natural hunters and killers and there's a nature verses nurture aspect. These themes are essentially what the movie is about.Nicole Kidman plays mother 'Evelyn Stoker', and Matthew Goode plays charismatic, creepy Uncle 'Charles Stoker', but there's simply no argument as to who steals the limelight and it's Mia Wasikowska Alice In Wonderland, Jane Eyre , as 18 year old 'India Stoker'. The actress is 23 but easily passes for an 18 year old. Her character is the main focus of the film and I feel she was perfectly cast for the role. She's old enough to be sexy, yet young enough looking so you feel a little conflicted about thinking so, and, despite her innocent appearance, has a facial quality that you can believe hides a personality more sinister. The character she plays is deeply intriguing and her acting as a dark, sexually ripe, moody introvert was magnetic and convincing. If it happened to be awards season, I'd say she was in with a chance of some nominations, but then when does subtle acting as a quiet introvert ever get nominations? It may only be the beginning of March, and there's been a lot of great movies so far in 2013, but I think 'Stoker' is the best film of the year at this point. It's not only the exception to the rule that Asian Director's first English language features are watered down missteps, but it's a film I thoroughly enjoyed and left the cinema genuinely excited about. You know that feeling when you find a movie that you really connect with and you can't wait to tell everyone about it? It's one of the best feelings in the world. Produced by Ridley and Tony Scott, 'Stoker' is an example of Hollywood getting it absolutely right, so please go and support it.
"Stoker" is a beautiful, twisted, hypnotic trance - it's meant for an audience not overly concrete in it's thinking but who have an open imagination and are able to take the plunge into the darkly poetic vision of it's director. "Stoker" doesn't exist in a normal, everyday reality - it's more of an alternative dream reality, hyper-aware and sexually charged. The three principle actors are superb, but Mia Wasikowska really gives the film a beating heart, as she emerges from her innocence into her latent self - a mesmerizing performance. This movie is <more>
filled with images that are as disturbing as they are lyrical and open to endless interpretation along with a subversive wit . I've seen the film multiple times and find that my impressions change with each viewing and that it has really haunted my imagination. "Stoker" is one of those unique and mysterious masterpieces that I'm sure I will be returning to frequently over the years - there's much to drink in, as the well runs deep.
Another masterpiece by Park, who playfully, coldly and ruthlessly explores the darkness of the human psyche.The movie is not only as good as the trailer, but hugely better and even more mysterious and captivating. It simply blows your mind away. Fortunately, I ignored the negative Anglophobe reviews and watched it. It's the most complete artistic work by Chan-wook Park in his career so far, an ingenious masterpiece, with the only minor complaint being the lack of the explicit violence he depicts in his Korean movies; this is not his fault though, but the request of the American companies <more>
involved, and still he manages to make us shiver with the cruelty of the violent scenes depicted and insinuated.To fully appreciate this movie, you must have watched Old Boy and Sympathy for Lady Vengeance, and in general to be a fan of Korean and Japanese cinema. The script is excellent, violent, unpredicted, the plot mysterious and sinister, and not for those who love the silliness of American spoon-fed cinema. If you don't like or understand international cinema, then don't bother. This movie and Matthew Goode's performance are Oscar material, if Oscars were not political travesties.I have never watched such a cinematic masterpiece before. Highly stylised, every move, every word, the posture of the actors, every tiny detail has a meaning. The mansion filmed on location has an ominous air of decadence. The plot is clearly outlined: India is a strange girl, with something dark and off about her. Her mother is a depressed rich stay-at-home housewife, and we understand that her marriage has become a chore. When India's father has a mysterious car accident, uncle Charlie, an unbelievably handsome man, suddenly appears. And bad things start happening. Who, what and why? The movie builds up the plot and the suspension like a dance or the notes of a symphony! This is something I have felt with other movies by Park, and they are the only movies I watch again and again to fully take in and appreciate every detail, and the beautiful music throughout. Little by little, every nod, word, step, bring us to the climax, to the end, the answer to the questions and the harsh reality. There are no easy supernatural explanations here. Only the malevolence of the human heart.
Very well made film...dark and expressive. (by jojeesmiles)
I almost DID NOT watch this movie due to the fact that the horrible reviews were really horrible and those people seemed to absolutely hate this film.I decided to give it a shot anyway and I am certainly glad I did. I sat down to watch the film expecting it to be bad and it was not. I loved it. The acting the was spot on, the characters flawless in their representation. The plot was extremely interesting. The movie as a whole was captivating. The only thing I hated about it is that it was over. It's not an action-packed, explode in your face kind of film. It's thought provoking, dark <more>
and highly enjoyable. I am glad I gave it a chance. It's a film more than deserving of the time I spent watching it and one I will own for myself.
Echoes of Hitchcock's "Shadow of A Doubt" ripple thru this ripping good psychological thriller with a Gothic pulse (by george.schmidt)
STOKER 2013 ***1/2 Mia Wasikowska, Nicole Kidman, Matthew Goode, Jacki Weaver, Phyllis Somerville, Dermot Mulroney. Echoes of Hitchcock's "Shadow of A Doubt" ripple thru this ripping good psychological thriller with a Gothic pulse: the Stoker family has suffered a great loss when the patriarch Mulroney in flashbacks dies leading to the unexpected arrival of the clan's black sheep or a wolf in sheep's clothing, Goode who is very good here with apparent designs on the grieving sister-in-law Kidman and overprotective desires for his niece scary good Wasikowska who <more>
may have an ace up her sleeve or two . A surprisingly etched screenplay by actor Wentwork Miller gets able assist in the lucid dream/fever dream stylings of director Chan-wook Park channeling David Lynch and Hitch with a side of curdled Charles Addams murkiness , a killer sound design by Chuck Michael, paper-cut sharp editing by Nicolas De Toth, and darkly handsome cinematography by Chugn-hoon Chung rise the potboiler underpinnings to top-drawer sociopathic melodrama excellence.
Hollywood, since its beginning, has attracted foreign directors looking to expand their popularity throughout the world okay, or to make a lot of money . Many lose their way in America, however. Park's fellow countryman, Kim Jee-woon, recently failed miserably at least at the box office - I haven't seen the film and am still looking forward to it with the Arnold Schwarzenegger flick The Last Stand. Park Chan-wook has a more distinctive style than Kim does, and it would have been a huge shame to see him make something cookie-cutter for his English language debut. Amazingly, Park <more>
comes through crystal clear with Stoker. It's very much a follow-up to Thirst, which in my opinion is his greatest film, with its bravura cinematography and obsessive attention to detail. The script, written by Wentworth Miller, is a fairly standard thriller. It kind of reminds me of The Stepfather. Park takes it and creates a gorgeous work of art. Mia Wasikowska stars as India Stoker, a quiet, weird girl with heightened senses who worships her father Dermot Mulroney . As the film opens, she receives the news that her father has died in a car accident. At the funeral, she meets her father's younger brother Matthew Goode , whom she has never been told about. There's something strange about him, and Wasikowsa doesn't much like the way he's flirting with her mother Nicole Kidman , with whom she doesn't get along. The plot develops in a fairly predictable way, but Park's mastery of the medium makes it a roller-coaster ride.
Stoker: everything you love about Park-Chan Wook movies, just dialed down a couple notches (by ianfarkas9)
As a fan of Chan-Wook Park's Korean films, particular his gross twist on a vampire story in 2009's Thirst, I was incredibly excited to see his first English language offering. Stoker, the first film made stateside by CWP, defiantly doesn't disappoint. This is largely due to the director staying with what he knows, telling a story that has all the dark hallmarks from his Korean works. However, Stoker is also less extreme then one would expect from Chan-Wook Park, as many moments of violence and depravity that could have been much more over the top are toned down. Stoker focuses on <more>
the titular family of India, Evelyn, and Richard Stoker Mia Wasikowska, Nicole Kidman, and Dermot Mulroney . When Richard dies in a mysterious car crash, his oddball daughter India begins to further distance herself from her estranged mother, Evelyn. After burying their patriarch, the family is visited by India's Uncle, Charlie. Charlie seems a little out there, and begins to form a sketchy relationship with India that suggests Uncle Charlie may desire more than family bonding. To elaborate any more would spoil the film, but needless to say it's an interesting premise. The story unfolds very slowly, with few dramatic developments until the second half of the film, which contains much more wizz-bang than the somber and meticulously paced beginning. This isn't a bad thing, largely because the characters are so fascinating from the get-go that accompanying them while they go about their day to day lives is a pleasure. Even when the movie seems to be resting on its laurels early on, the performances are great all around in particular Wasikowska's performance as distant and on-edge India . Except for a few odd holes, the script stays strong throughout, providing plenty of great dialogue courtesy of Wentworth Miller you read that right,the dude from Resident Evil: Afterlife. Who saw that coming? . Of course, the strongest link in the chain is Chan-wook Park. From the opening scene of fragmented shots with computer generated transitions that occur throughout the movie, his mark is clearly laid on the film. Stoker never has an ugly moment, and each shot oozes with that distinctive Chan-wook flair. My personal favorite is an early scene in a basement involving a swinging light fixture think Once upon a time in the West . The only thing that feels absent compared to CWP's other efforts is a slew of neasea-indusing scenes whose only purpose is to shock the audience. Although Stoker has a few jarring moments think showers , for the most part its very restrained compared to Chan-wook's other works. This is fine up until the last act, when the nature of the story demanded for a more powerful and shocking denouement then what was given. So despite not quite sticking the landing, Stoker is effectively creepy, well acted, and an enjoyable beginning to what I hope will be a long English language career for Chan-wook Park.
A modern update on Shadow of a Doubt (by Red-Barracuda)
This is the first English language film from South Korean director Chan-Wook Park. He is probably most famous for the intense psychological thriller Oldboy. With his American debut he reigns in the extremity somewhat but does retain the visual inventiveness that is also one of his trademarks. In many ways Stoker is a modern update of Alfred Hitchcock's Shadow of a Doubt 1943 . Like that one, this film has a mysterious uncle re-emerge into the life of a family after many years of absence. Before long it becomes pretty clear that all is not as it seems with this man and he is in fact <more>
extremely dangerous. The main character is an 18 year old girl called India Stoker played by Mia Wasikowska who was recently in the not very good but very popular Alice in Wonderland. She leads the film very well and carries off the bookish character effectively. There is also able support from Nicole Kidman as her mother.The look and feel of Stoker is impressive. The atmosphere is well sustained throughout. If I had a criticism it would simply be that the story ultimately isn't all that original and there aren't really a lot of surprises. What it does do though is to take a fairly standard psychological thriller story and make it interesting by way of cinematic techniques. It isn't a movie that is exactly going to break the mould but it is pretty accomplished nevertheless and is a pretty good first English language feature from its director.
Stoker is a psychological thriller that you might not expect. It's not the usual type of the genre. The storytelling is in pure style and it features its terror in a completely twisted way. It's a weird cinematic experience that might stuck in your head for some time. It didn't offer much new to the plot but it creates a both melancholic and terrifying atmosphere to the picture which made it fascinating. What's more fascinating is the filmmaking understands the psychosis beneath it and it clearly shows them on screen. Stoker is quite peculiar but in a remarkably stunning <more>
way.The story is just simple but it is told very differently. Thrillers usually slowly builds the tension of the plot until it gets to the point that everything what's happening is not right. Here, it already shows the oddness of their lives. The only thing it does now is to explore what's happening to the characters and what they are going to do. The plot isn't really that complex but it's all rather provocative. It embraces the strangeness that is manipulated from the two Stokers. It's not ought to be scary or anything. It's all about taking the ride on their horrifying acts. These scenes are, without a doubt, bizarre and somehow disturbing.The film has a set of amazing talents. Mia Wasikowska has always been lovely and talented. She gives a sense of weirdness inside of her innocence which is perfect to the character. Nicole Kidman makes a great desperate mother. Matthew Goode adds some creepy mannerism to the psychotic Uncle Charlie. It's easy to get infatuated by his deceiving charms. The violence is a bit tamed for a Chan-wook Park film, but here, he aims more at the fortitude. He fills them with an impressively energetic style which helps executing its eerie. The gorgeous cinematography captures the melancholia of their world. Everything is just stunning.The story isn't really that subtle or original but Stoker is a stylishly made film that will give you a quite different experience. Instead of jump scares or whatever tricks that typical thrillers use, the film rather tests the anxiety of the audience in these strange haunting exteriors. The film is not trying to be innovative but the reason why it's interesting is because of its intense use of filmmaking styles. It leaves the clichéd modern thriller plot points for a while and it simply tells the story by exploring these people's little twisted lives. Overall, it's visually captivating despite of the horror underneath the surfaces and that what makes the film so appealing.