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Plot: A woman named Grace retires with her two children to a mansion on Jersey, towards the end of the Second World War, where she's waiting for her husband to come back from battle. The children have a disease which means they cannot be touched by direct sunlight without being hurt in some way. They… Runtime: 101 min Release Date: 02 Nov 2001
This is one of the best movies I have seen all year, and one of the top horror stories ever told. It's creepy, simplistic, and eerie.I was impressed by the enchanting simplicity of the plot, the lack of need for "Hollywood" special effects, and the haunting atmosphere that loomed over everything from beginning to end. The first half, or even three quarters, seemed to move along a bit slowly, but it felt necessary to build the suspense to the point where I was biting my nails in anticipation of the inevitable.Nicole Kidman's character, Grace... I was torn between empathy and <more>
disgust for her at times, but she definitely succeeded at captivating me with their lives and story. Predictable in parts, but it still leaves you guessing. This was a quality ghost story, with an old fashioned ambiance; downright spooky. I was in awe of the ending, a fairly intelligent premise. It's the kind of movie that lets you escape reality for a while by entertaining you, but at the same time, returns you to the "real world" with your spine tingling, wondering if there isn't some possibility of truth... Chilling.
Alejandro Amenábar is a very young and talented director, born in Chile and raised in Spain. He revolutionized Spanish cinema when he arrived on the scene with Thesis, at only 24 years of age. The came Abre los ojos, a very powerful second film that immediately put him aside some of the leading directors there, like Pedro Almodóvar, Carlos Saura, or Fernando Trueba. The others is only his third film and you can now see a hint of who may become one of the best around in a couple of years he's only 29 . The best comparison I can make of this film is to a piece of clockwork. Precise, <more>
exact, nothing is gratuitous or excessive.... What a subtle charm this film works on you as a spectator. The screenplay is one of the best of this genre I have seen in the last few years, very carefully revised and misleading, yet at the end everything makes perfect sense, not the mention on the second time you watch it. It is true that many of the film's features and details may be traced to classic films of the genre, but there is nothing wrong with that. The director himself said it was an homage to directors like Alfred Hitchcock to whom he has been compared somewhat prematurely.... he may reach such height but he still has a long road to walk . That is one of the great things about the film; it takes the best of the genre, the best that has been made by the best directors... it's a film lover's delight. I had never thought Nicole Kidman could have been at the height of the project, as I really have never considered her a great actress. All I can say is I am still dumbfounded by her extraordinary performance... really, a large percentage of the film's success can be related to her. Sober and discreet when needed, yet grand all the same... It does remind some of the most elegant names of classic Hollywood cinema like the Bette Davis of All about Eve or the Katharine Hepburn of The African queen. But it would be really selfish to give her all the credit when she was supported by an extraordinary cast. Fionnula Flanagan the sweet old lady from Waking Ned Devine is trully magnificent as the governess, Mrs. Mills, and very surprising performances of a mute and an old gardener are given by Elaine Cassidy and Eric Sykes. The children Alakina Mann and James Bentley are also fantastic. Finally, I cannot but mention the crew of the film. It is even a more fantastic job when you consider that the film many people don't realize this is chiefly a Spanish production. The production design by Benjamín Fernández and specially the cinematography by Javier Aguirresarobe are extraordinary. Just as in the best painting of figures like Goya or Rembrandt, light and shadow reveal the objects and the people. I do not hesitate to say that this is really one of the best films of the year 2001. I am still waiting to watch Le fabuleux destin d'Amélie Poulain, La stanza del figlio, The shipping news, The hours and Italiensk for begyndere, but I know it will remain amongst those at the top. A 10/10 is really fair for a film that has it all, a perfect machinery that arrives at a time when we seriously need intelligent films and not blockbuster deceptions. I can only say I hope its director won't jump to Hollywood in search of big-time projects that waste his potential. It is a film to feast on.. to savour, to enjoy, to remember....
"THE OTHERS is a creepy film... that reminded me of an old 40s or 50s ghost story." (by SteveMadcow)
The Others is yet another in a long list of great horror movies of the new millennium. I have always loved ghost stories, and this film has easily become my favorite ghost story ever. It's like one of the great old black and white ghost stories but better. It takes you on a slow, and uncomfortable ride.The story is simple. Grace lives in a mansion with her two children, both allergic to sunlight. That little twist on the story was just great. It makes the film completely opposite than other ghost stories, with Grace not afraid of the dark, and making sure to keep the light out, to save <more>
her children. This provides us with a very creepy, and dark atmosphere. Plus the mansion is also a creepy place. Not to mention, that in the film everyone who enters the house, must close the previous door, before opening the next. Nicole Kidman is perfectly cast in The Others. This may be one of her best performances ever She was also great in this years Moulin Rouge . She was really very believable in the part. The two kids in this film were also fantastic. Alakina Mann as Anne was terrific. She played the bullying sister great. She and James Bently, who played Nicolas, really seemed like siblings. Awesome job by both. Fionnula Flanagan was also fantastic as Mrs. Mills. She really creeped me out, and I didn't know where she stood. Was she good or bad? I didn't know, but her acting was right on the ball.Alejandro Anemabar directed The Others with such atmosphere. The dark lighting is creepy, and the cinematography is beautiful. This guy's has got a bright future. To accompany all the atmosphere we get a fabulous score by the director, Alejandro Amenabar. The music is creepy, and really adds to the feel of a 50's ghost story. It also sets the mood of the film, and makes the scary scenes, even scarier. The score is fabulous. Not only did Alejandro Amenabar direct, and score, but he wrote the great, and well-developed screenplay.The Others is not without a great twist ending, that should shock everyone. I did not see it coming, and it's such an original concept to use in a ghost story. It worked well, and I was speechless after the film. Outstanding finale.This film is yet another horror film that proves that big budget special effects suck! This film is scary, and it only had a $17m budget. The Others did great at the box office, and deserved every buck it earned. It's a creepy film, that has its very scary moments. This is a film that will not be forgotten. It'll be stuck in my mind for a long time. This really reminded me of an old 40's or 50's film. I highly recommend this film to every fan of ghost stories.The Others: 10/10, A+
What a twist!!! Scary to the last moments, specially at the last moments (by Kyle007)
First of all, i have to say that this year 2001 is the one that established Nicole Kidman as a superstar, she was an "A" actress, but here she became "A+", first and mainly with Moulin Rouge and then with this superb movie, i have to say that i saw a few people who gave this great movie a 10, i rate it with a 10 only because there is nothing higher, but i'm sure it deserves a lot of credit.And i have also seen many people complaining of the "borrowed storyline" Comparing "the others" with "Sixth sense" , bah they touch the same topic of <more>
life and death actually , but this one has a more religious view, and makes you think a lot about that.Nicole did a great job in this movie, nobody can't deny it, her role as a lovely but at moments almost gone crazy mother of 2 was a dualistic and strange thing that fitted perfectly well in the story. All the supporting actors did a great performance as well.The plot, the plot, i think it couldn't have been better, i don't want to tell you anything about it, so you can have the surprise i had when i first saw it, but the best of all is that you are almost as surprised the first time you see it than the second, and the third, and the fourth...... You just want to see it again, because you experience a feeling that only a few, but a few few movies give you; a strong chill crosses your whole body, it is fear, but you like it anyway, it is a fear that awakes curiosity, curiosity for what is happening next...And what a spectacular, but necessary addition is the environment of the movie: an old mansion at the times of War world II, permanent darkness and haze, dead-like servants, photosensitive children so that the house had to be kept in an absolute darkness, no electric light........could it be more scary?? I don't think so.And by the way, this is a proof that a movie doesn't need amazing special effects, even more, i think this movie doesn't even have special effects, it is all in the way the story is told, nothing more....and nothing less, something that seems to be hard these days.........But i'll stop talking, if you are reading my comment, just stop and go to your nearer video shop and buy it, or rent it at least..........you won't be disappointed..............believe me.
Nicole Kidman is a lucky girl. She's got two great movies out there. All in the space of a year and both showcasing her ample talent. The Others in particular, while devoid of OTT performances, costumes and sing along songs, will appeal to a lot of people. People who enjoyed 'Sixth Sense' in particular will enjoy it, and those who're into X-Files' will surely enjoy this too. However, it isn't a slasher thriller, with some ditzy teenagers running around a school chased by a homicidal fisherman. No, it's much more intelligent and, to me, seemed a far slicker movie <more>
than even 'Sixth Sense'It's focus is on a family, after the war, living in an old mansion prime ghost story location! Why can't they have a nice semi detached?! . The children are photosensitive and the house must be kept in darkness and this creates an imposing atmosphere from the off. The characters, including the mother played by Kidman, seem to have more to them than we are led to believe at the start. There are noises in the house, the children say they've seen people walking around, the mother seems to on the edge and about to break, and all the while, the creepy atmosphere grows and grows. It's strength lies in the fact that it doesn't simply throw the characters into scary situations, e.g. some man chasing them around the house to get a reaction from the audience. It instead creates a sense of dread. The director uses the camera and sound to merely suggest what's there. The viewer's mind is allowed to make up the rest and is much more effective than several million dollars of special effects . The sound of whispering in an empty room, or the haunting sound of a piano playing from a locked room. And having creepy maids and gardeners puts the audience at unease, trying to second guess if they're good, bad or evil.The story takes a lot of dramatic twists and turns. And in the end, everything is, to paraphrase one of the characters, "...Changed. It'll never be the same again." The conclusion is one to rival 'Sixth Sense'. You're feelings are towards the characters are completely different, and "The Others" of the title are not who you'd have thought they were.The mother is, of course, the main focus of the story. Treading, it would seem, a fine line between exploding, and being ready to give up. At first, it seems sure fire who's good, and who's bad. But then you feel a growing antipathy towards some characters, and to a certain extent, the mother. In the end, though, you only feel extremely sorry and sad for the characters, yet angry at some of them too.This movie, along with Moulin Rouge' was a pleasure to see well, it was a pleasure in hindsight. It was definitely in the `too engrossed to move' range when I was in the middle of watching it and I would recommend it to anyone except those with baby's or heart conditions
A sharp horror thriller with one of the more memorable jumpy scenes in a while (by saarvardi)
The final collaboration between Nicole Kidman and ex-husband Tom Cruise he produced, she starred is a sharp horror thriller with one of the more memorable jumpy scenes in a while "Who are you? What did you do with my daughter"; "but mommy, I am your daughter" which also earned the film a rightful parody on one of those endless Scary Movie flicks. While the twist has already been used in other films *cough* , the film as a whole is a real roller-coaster of excitements and scares every horror buff owes himself the right to watch. Look out for the spooky setting that <more>
takes place exclusively in the area of the house, making the structure a living and breathing character in the film - perhaps more than some of the real characters.
Subtle, genuinely creepy and ... SUBTLE (by Coventry)
The Others is a very remarkable film from more than just one viewpoint. In an era where you can only impress young horror fanatics with bucket-loads of blood and gross-out effects, Amenábar actually re-teaches his audience that fear is especially caused by suggestion and the absence of explicit images. The Others is the first intelligent horror film in years, completely relying on atmosphere and eerie set pieces. It's such a relief to finally see a subtle film that is also effective! I'm normally not much of Nicole Kidman fan but she's very convincing as the prudish, <more>
over-concerned mother who desperately tries to protect her children from the outside world daylight in particular . She lives in a remote mansion and waits, along with her 2 children, for WWII to be over. With the arrival of 3 servants, strange events star to occur in the old house and the daughter spots 'intruders' everywhere. The screenplay - by Amenábar himself - is not totally unique filmfreaks who're familiar with expressionism highlights from the 60's will quickly guess the hidden plot twist but it's filled with ingenious findings and sublime dialogues. The Others reminds you of 'The Innocents' and there are far worse films to get compared with, if you ask me! What also is rather amazing about this production is that Amenábar seems so confident! This is his first giant Hollywood adventure with stars in the cast and American money and yet he has total control over everything. The acting is great, the plot actually scares you and the directing is solid. The Others is a total winner and easily one of the greatest genre-films of the last few decades.
Suspenseful, stylish horror film ***/**** (by LtCol_Kilgore)
The others ***/**** "The Others" is a suspenseful horror film unlike many these days. Most are concerned with blood and gore, teenage girls getting naked, body count, and not scary. "The Others" is atmospheric, spooky, bloodless, and carried by strong acting and fleshed out characters. Yet, it takes too long to make an impact and the final payoff is not as shocking as it should be. The plot is simple and not especially innovative your average ghost story , but it seems fresh thanks to strong acting and a well-crafted, eerie atmosphere that rivals that of a Tim Burton <more>
film. Nicole Kidman is Grace, a beautiful young married mother who must raise her two children, Anne Alakina Mann and Nicholas James Bentley alone in their gigantic actually, ridiculously large mansion on a British isle, around the end of WWII. They are alone, for the husband and father has been at war and has not returned, and their housekeepers mysteriously vanished. Suddenly, a trio of friendly caretakers arrive one day. Mrs. Mills Fionnula Flanagan is the amiable old lady, Lydia Elaine Cassidy is a mute young girl, and Mr. Tuttle Eric Sykes is the not-so-social gardener. However, there is a strange, arcane facet to the trio; they have little background and had no way of knowing that Grace was offering positions at her manor. Aside from this, Grace must deal with her children, who have a deadly allergy to light, which means that the house must be dark all the time, allowing for a spooky dark, shadowy ambience. Anna and Nicholas, most importantly, have been visited - by a family of ghosts. Noises - crying, piano music, and running - have been heard. And curtains that stop light from entering the house are opening and closing by themselves. The film is based around Grace's efforts to solve the enigma.I love the atmosphere of "The Others," set in a nostalgic and ominous 1940's estate. Snowy mist blankets the grass and crisp fall leaves. Murky waters of a lake border the chateau. Elegant furniture, polished marble and wood floors, neatly-woven blankets, tautly fabricated furnishings of wood and olive green cloth, coal black German sedans, lightly wrinkled sweaters and jackets are all seemingly authentic from the era. One spectacular and tense scene has Grace haplessly stumbling through an impenetrably thick ocean of milky fog that weaves through overhanging trees and a ground of crunchy bronze and russet leaves.The action takes a while to get started up, which is a major negative. This is due to the director, Amenabar, spending time to develop an involving plot, 3-D characters, and the aforementioned décor. While Amenabar succeeds in those respects, we find ourselves wishing something would happen. Many people will easily become bored, feel tempted to sleep or leave, etc., but I, while not exactly enthralled by that point in the film, was still enjoying it.When we finally are treated to doses of suspense and chills not so much horror and terror , it is satisfying. You most likely will find yourself on the edge of your seat or huddled in a ball anxiously awaiting the potentially fatal results of Grace's investigation. This is not so much because you care about her character, but really because you expect a sudden scream and heart-stopping outburst of maniacal ghosts. Most scenes are chilling, including the door shutting in the piano room, the old lady in the white dress, and the final chaotic conclusion. However, I can not say that I was truly horrified and paranoid from this film, unlike "The Sixth Sense," where I was freaked out for months. I was still very entertained.I must commend all the actors in the film, especially Nicole Kidman. The acting was down to earth and realistic, despite Nicole Kidman forced into saying some foolish lines "Something.. Diabolical! . The two child actors, Mann and Bentley, were excellent in a fairly difficult role for children. Another important downside to the film was the "shocking" conclusion. While I must admit that I found it brilliant, it lacked the powerful punch I wish it had. I don't know why this is, it just isn't. I am disappointed at how much potential the ending could have packed and how little it did. Overall, I found "The Others" a highly entertaining thriller with magnetic milieus and plenty of startles.
Fairly decent and original concept. (by Manthorpe)
I'll have to admit that I put off watching this movie despite being told by several friends that it was pretty good and worth checking out. That's mostly because "scary" movies usually turn out to be nothing but crap riddled, cheap thrill fests with terrible acting by actors just looking for their next handout...not to mention directors that care nothing about the progress of their careers. That and the slew of B- horror/thriller movies that seemed to come out very close together along with this movie made me a little apprehensive. However, I was pleasantly surprised.First <more>
off, I'd like to say that I have yet to see The Sixth Sense, so I cannot comment on any similarities between the two films that I have heard exist.Grace Kidman and her two young photosensitive X.P. children live in a sprawling old house together in England in the 1940's and await the return of their father and husband who went off to fight the Germans in WWII. As a result of the children's very rare and dangerous skin condition, all of the house's curtains must be shut during the day and all of the doors must be closed and locked to prevent any accidental solar exposure to the children. Despite the warnings from her children and new found servants, strange things begin to happen in the house which Grace chooses not to accept or investigate...partly because of her zealous religious beliefs which leave her closed minded and ignorant to things outside her psychological realm of thinking. Sooner or later, she will have to come to terms with what's going on...Kidman's acting is admirable in this movie, and although I usually have a hard time enjoying her films, I felt she did a very decent job here. I think she was born to play a stubborn, hard nosed, uptight tart, and that's not necessarily a bad thing. I especially enjoyed the acting performances from both of the children. Both are talented child actors and were definitely helped by the script which captured what it's like to be a child. I was constantly reminded of my own childhood amongst the belittling and teasing between the two, and of course the naive and adorable fears. The film is shot beautifully and has a lot of atmosphere, partly due to the fact that since the children are photosensitive, the house must always be dark, and the director definitely likes to play with that. There's something else that helps the film's atmosphere as well, the fog, which obviously adds to the general spookiness. But I'll leave that one alone as it plays an important role herein. The score helps as well, and is well placed and executed.Overall, I found this to be a very respectable and enjoyable film in almost all respects, and I no longer consider Kidman a pretty face begging for nude scenes. I felt it was very well thought out, and if it weren't for a minor plothole involving Grace's husband, I would have ranked it higher. Easily a solid 8/10.